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In the absence of a superior image, which is arguably the effect of the body in representation, it becomes possible for other bodies to form. Bodies that don’t materialise per se. Bodies that come into being in the encounter. The notion that an authoring body and a reading body can come to be one, that they can combine with one another, through an empathetic transfer of experience — one that is based on an impartiality on behalf of the author first and the reader thereafter. Let’s imagine such impartiality extending to the totality of life, etc. In this meeting between sign and eye, foot and ear, tongue and throat, kidney and mountain, lover and loved, it is possible for bodies to form. Again. Bodies without an image, or bodies in the image of the distance they cover, of the text they read, of the collisions they share in.