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In Art and Pictures in the Suburbs Kyriakos Kyriakides acquaints himself with two relationships to art.

Untitled pictures of a woman lying on the floor define the first as one of inevitability. Their subject is oblique and starved of motion. Shot over several summers, the images capture her at rest, evading view and, as a consequence of her static repetition, waking life. Sympathy is drawn towards immobility through its documentation, opening up a reading of these works as self-portraiture. The act of taking them becomes an antidote to the state they so desperately describe.

Fish and Dog, sculptures made from the shedded remains of plants, define the second relationship as one of rebirth. In the summer, palms experience shedding in spurts; prioritizing new growth they push older fronds to drop. Their excess, remodeled into new life, introduces a short-lived infatuation with nature in the work, which Kyriakos describes as psychedelic. Dried up pieces of seaweed are imagined as seahorses, flatter fronds as whales, and prickly spines are shaped into the coat of a pet dog (the only domesticated animal in the show, but also the only one left unmounted). Other materials are ad-hoced in their making with curious defiance— pursuing a language of humor discovery, and wonder.

– Aristotelis Nikolas Mochloulis